Before it’s in Vogue, it’s months of creation. You see the result. Not the ritual.
Before it’s in Vogue, it’s months of creation.
You see the result. Not the ritual.
From countless hours to timeless presence.
I was trained to master technique, not to trust emotion. Now every painting is an act of unlearning.
Born and raised in rural Ukraine in the 1980s, my childhood art education was a daily, disciplined choreography of obedience. It was a tool for shaping collective identity. I had no living artist as an example. A daily routine shaped by ideology rather than self-expression, a training designed to mold, not to question.
How a Long-Time Collector Lives with Art: Eva’s Reflections on Presence, Integrity, and the Quiet Life of a Painting
Eva, one of my first international long-time collectors, never hesitated in how she described what it feels like to live with one of my paintings. For her, the defining quality has always been its presence. She describes an integrity that is not dependent on time or circumstance, a steadiness that remains the same yesterday, today, and tomorrow.
the sorbets are almost sold out! but you earned a premium look on the last ‘sorbet deconstructed’ paintings, before…
interview THE POSTER CLUB x ANASTASIA BENKO
watch the video: each sorbet has up to 72 layers of paint
change of account name on instagram
anastasia benko x DIE ZEIT
anastasia benko x DIE ZEIT
anastasia benko x DIE ZEIT
sorbets deconstructed, 2019 - 2022
anastasia benko x DIE ZEIT - sorbet deconstructed 2019-2022
sorbet serie, 2018
anastasia benko, sorbet series, acrylic on canvas
photo in the home of Dawid, Munich