Anastasia Benko 12/6/25 Anastasia Benko 12/6/25

Collector’s Guide to Displaying and Preserving Artworks at Home

The best protection is not reaction, but prevention. Conservation is the most careful brushstroke, keeping a work alive long after the final layer of paint has dried. It is a continuation of the creative process.

Anastasia Benko 12/6/25 Anastasia Benko 12/6/25

The Quiet and Long Work Behind Enduring Presence

Ultimately, the work of an artist is never entirely solitary, nor entirely dependent on recognition. It exists in the tension between private dedication and public engagement, between the choices made in a studio and the trust extended by those who encounter it. This is the space where meaning and confidence are cultivated, and where a life devoted to craft produces works that endure, resonate, and continue to hold presence in the homes and lives of those who engage with them.

Anastasia Benko 12/6/25 Anastasia Benko 12/6/25

I didn’t grow up in a gallery. I grew up in rural Ukraine, with more potatoes than possibilities.

I didn’t grow up in a gallery. I grew up in rural Ukraine, with more potatoes than possibilities. As I grew older and moved continents, I came how deeply that system had shaped me. Not only in how I make art, but in how I understand freedom. This methodical training gave me a foundation, but also a tension I’ve carried ever since: between order and imagination, obedience and self-expression.

Anastasia Benko 12/6/25 Anastasia Benko 12/6/25

Before it’s in Vogue, it’s months of creation. You see the result. Not the ritual.

Before it’s in Vogue, it’s months of creation.
You see the result. Not the ritual.
From countless hours to timeless presence.

Anastasia Benko 12/6/25 Anastasia Benko 12/6/25

I was trained to master technique, not to trust emotion. Now every painting is an act of unlearning.

Born and raised in rural Ukraine in the 1980s, my childhood art education was a daily, disciplined choreography of obedience. It was a tool for shaping collective identity. I had no living artist as an example. A daily routine shaped by ideology rather than self-expression, a training designed to mold, not to question.

Anastasia Benko 12/6/25 Anastasia Benko 12/6/25

How a Long-Time Collector Lives with Art: Eva’s Reflections on Presence, Integrity, and the Quiet Life of a Painting

Eva, one of my first international long-time collectors, never hesitated in how she described what it feels like to live with one of my paintings. For her, the defining quality has always been its presence. She describes an integrity that is not dependent on time or circumstance, a steadiness that remains the same yesterday, today, and tomorrow.